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: Old Hollywood frequently leaned into extremes, such as the tragic "mommy issues" in Alfred Hitchcock's

This is perhaps the most sensationalized and feared archetype. The devouring mother loves her son so completely that she cannot let him go. Her affection morphs into possessiveness, and her protection becomes a cage. She perceives any attempt at independence—a lover, a career change, a move to another city—as a betrayal. In literature and cinema, she is often the villain or the tragic obstacle. Her son is not a separate being but an extension of her own ego. Norman Bates’s mother in Robert Bloch’s Psycho (novel 1959, film 1960) is the ur-example, a presence so controlling that it literally speaks from beyond the grave, warping her son into a murderous shell. TRUE INCEST MOM SON TABOO SEX Maureen Davis AND