Both sisters grew up listening to their grandmother’s bedtime stories about “the little mouse that saved the village.” This personal connection fuels a shared desire to preserve oral tradition through tangible objects. Their dialogue during the creative process is famously iterative: Masha sketches a prototype, Veronika annotates it with a potential fable, then Masha refines the shape to better embody the narrative nuance, and so on. The final product is thus a seamless fusion of form and story.
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Masha’s background in industrial design equips her with a rigorous understanding of ergonomics, material science, and production workflows. Veronika, conversely, contributes a deep knowledge of iconography, narrative structure, and visual semiotics. Their collaboration mirrors the classic designer‑artist dyad seen in historic ateliers such as the Bauhaus, but with a distinctly Siberian twist: they ground their work in the harsh, beautiful realities of the taiga rather than abstract rationalism. : Content with this title might be found
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