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While other Indian film industries were busy with reincarnation dramas and larger-than-life heroes, early Malayalam cinema took a detour. The foundation was laid by writers and directors who emerged from the Prakrithi (nature) and Yatharthavada (realism) movements. The adaptation of Uroob’s novel Ummachu (1960) and the works of M.T. Vasudevan Nair set a template: cinema rooted in the soil of the Nad (homeland).