This album was produced for radio. The compression is high, meaning the songs are loud by design. However, FLAC allows you to separate the artificial elements from the organic ones. You can hear the gloss on the title track "Love Drunk" and the subtle acoustic guitar picking in "Two Is Better Than One." If you are an audiophile, hearing the duet between Martin Johnson and Taylor Swift in lossless quality is a treat—the vocal blending is pristine, highlighting the pop-country crossover appeal the band was chasing.
This album was produced for radio. The compression is high, meaning the songs are loud by design. However, FLAC allows you to separate the artificial elements from the organic ones. You can hear the gloss on the title track "Love Drunk" and the subtle acoustic guitar picking in "Two Is Better Than One." If you are an audiophile, hearing the duet between Martin Johnson and Taylor Swift in lossless quality is a treat—the vocal blending is pristine, highlighting the pop-country crossover appeal the band was chasing.