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However, this power invites serious criticism. The reliance on pre-sold IP (sequels, reboots, superhero films) leads to a risk-averse culture, often at the expense of original, mid-budget dramas or comedies. Furthermore, the concentration of media ownership raises concerns about cultural homogenization—where one conglomerate’s vision of entertainment overshadows local or independent voices. The working conditions on studio productions, particularly concerning visual effects artists and writers during strikes, also highlight the human cost of blockbuster entertainment.