• Saturday, May 09, 2026

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Sion Sono is known for his visceral visual style, and Riaru Onigokko is no exception. The film employs long takes, sudden jump cuts, and a desaturated color palette that slowly bleeds into vibrant reds during death sequences. The action choreography—girls leaping over desks, sliding down hallways, and dodging invisible slashes—is balletic. Yet, the violence is never glorified; it is abrupt, messy, and often absurd. A girl split in half while running continues to scream for a moment before realizing she is dead. This absurdist humor is a hallmark of Sono’s work.