He often emphasizes that cinema is a visual medium first. In the book, he explains how he communicates with his cinematographers—P.C. Sreeram, Santosh Sivan, and Rajiv Menon—to create a distinct "look" for every film. For instance, the gritty, realistic textures of Nayakan contrast sharply with the ethereal, dream-like quality of Geethanjali . Conclusion
, including how Ratnam launched the career of composer A.R. Rahman. Creative Philosophy
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He often emphasizes that cinema is a visual medium first. In the book, he explains how he communicates with his cinematographers—P.C. Sreeram, Santosh Sivan, and Rajiv Menon—to create a distinct "look" for every film. For instance, the gritty, realistic textures of Nayakan contrast sharply with the ethereal, dream-like quality of Geethanjali . Conclusion
, including how Ratnam launched the career of composer A.R. Rahman. Creative Philosophy