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Netflix’s production strategy is data-first. This results in a high volume of "good enough" content ( The Gray Man , Lift , Damsel ) that caters to background viewing. However, when they hit, they hit hard ( Squid Game , Wednesday ). The criticism of Netflix productions is their visual flatness; many originals look like they were shot on the same grey soundstage with identical lighting. The studio system needs to learn that cinematography matters , even on a phone screen.

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