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Malayalam cinema frequently addresses themes of migration (particularly to the Gulf), class struggle, and gender dynamics. However, critics also point out that the industry has historically marginalized certain groups, such as the Dalit and queer communities, though new voices are now challenging these stereotypes.

However, a fierce counter-narrative emerged. Filmmakers like Lijo Jose Pellissery and Dileesh Pothan argued that "New Generation" often erased the darker aspects of Malayali culture: caste. Filmmakers like Lijo Jose Pellissery and Dileesh Pothan

But Malayalam cinema is not just a reflection; it is a participant. When the devastating floods hit Kerala in 2018 and 2019, the narrative of cinema shifted almost instantly. Films began to address climate change, environmental degradation, and the resilience of the community. Films began to address climate change

For decades, Malayalam cinema was dominated by upper-caste (Nair, Namboodiri, Syrian Christian) narratives. The lower castes—Ezhavas, Dalits, and tribals—were either comic relief or victims. Films like Kumbalangi Nights (2019) and Jallikattu (2019) changed that. Syrian Christian) narratives. The lower castes—Ezhavas